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Ong Sor Fern
Arts Editor
sorfern@sph.com.sg
Women artists remake science-fiction themes and ideas in ArtScience Museum’s new show
The Straits Times Life’s interactive calendar is back with the best arts, music, heritage and family-friendly events
Book review: Three new books offer insights into Singapore’s cultural history
Find the best arts, heritage and family-friendly events in Singapore
Book review: Sarah Bernstein’s Study For Obedience technically polished, but fails to engage
Singapore Writers Festival celebrates hip-hop, guests include Viet Thanh Nguyen, Lat and Spivak
Arts Picks: Street artists tackle Chinese myths, Mud Rock’s Clay Camp, STPI turns 21
Kalaa Utsavam targets younger and more diverse audience with edgier programme
Dance review: T.H.E. Dance Company showcases young choreographers in liTHE
National Gallery Singapore reports 1.4 million visitors in FY2022/23, rental income doubles
Esplanade reports 1.77 million visitors in FY2022, ticket sales bounce back
Theatre review: Joel Tan’s G*d Is A Woman tackles censorship, art and futility
Arts Picks: Singapore Chinese Orchestra’s new season, contemporary dance fest and promenade theatre at Tampines
National Arts Council wants to catch artists, audiences and patrons with new collaborations
Book review: Jamila Ahmed’s Every Rising Sun an uneven retelling of Arabian Nights
Book review: C.K. Chau offers a rollicking update of Pride And Prejudice in Good Fortune
Book review: Polished, picture-heavy book commemorates Wild Rice’s 20th anniversary
Arts Picks: Song and Yuan dynasty pottery, a Wallace walk and Fat Kids Are Harder To Kidnap
Book review: Zero Days is a perfectly thrilling beach read
Book review: Conspiracy theory and Wagner group spice up latest Jack Carr thriller
Book review: Legendary Chinese pirate queen Shek Yeung’s life gets half-hearted feminist retelling
Artist Robert Zhao to represent Singapore at 2024 Venice Biennale
Arts Picks: Ethos Dreams pop-up, interactive theatre at heritage centres, The Little Prince at Punggol
SSO and SCO break into UK’s classical music charts at No. 5 and No. 16
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